In the last year we've learned all too well that Donald Trump is seemingly immune from scandal and impervious to shame. Not a week goes by that he doesn't say or do something that would end anyone else's political career. We've lost count of the things which have happened in and around his personal and political orbit that would stop a politician's agenda dead in its tracks. At the moment his top advisors are being investigated for conspiring with Russians to subvert our democracy. That's something which got people executed in my parents' lifetime.
Despite this, the Trump train, however slowed in the public opinion polls and however assailed by the public opinion pages, continues to chug, more or less, forward, announcing policy initiatives that will likely pass and which will shape our country for decades to come. No one in a position to stand up to Trump and say "no" seems willing to do so.
A little over a year ago I wrote a post about the troubling manner in which politicians and public figures talk about complicated subjects. About how they seem to increasingly rely on anecdote and references to their personal experiences when addressing matters of policy, ethics or morality rather than on facts or ideas. About how, for some reason, they could not talk about, say, sexual harassment without referencing their "wives and daughters" or they could not talk about taxes or social policy without making reference to some local farmer or businessman who would be affected.
On some level I get why they do this. People like stories and first person accounts. We respond to them well. On a geologic scale we're barely removed from a time when oral tradition was our primary means of understanding the world, so it makes sense that we respond to personal appeals.
Our public discourse seems to have gone too deeply into the personal and anecdotal, however, to the point where tales, rather than facts, data and ideas, have come to dominate the conversation. Yes, my friend, I'm glad that you care about the advancement of women now that your daughter is getting her MBA, but can we talk about the advancement of women who are not your daughter? Sure, I suppose I'd be curious to know how this new regulation personally affects Joe Smith from East Alton, Illinois, but it's probably more important to know what it means in objective terms -- defined by facts and figures -- for the country as a whole, wouldn't you agree?
The point of that essay was that we spend too much time creating narratives when it comes public life and policy, often baseless ones, and not enough time thinking. We spend a lot of time talking about our feelings too -- using the language of anger or personal offense for the most part in recent times -- but we do it in a rather self-centered way, lacking in empathy for anyone beyond ourselves or our immediate circle. That's an acceptable way to run a village, maybe, but it's no way to run a county of over 300 million people.
I wrote that post a month before Donald Trump was elected, in response to the 2005 "Access Hollywood" video in which he bragged about sexually assaulting women. I wrote it because everyone asked to comment on it referenced their wives and daughters and did little if anything to say, full stop, that such behavior should be condemned as unacceptable even if you don't have a wife or a daughter. Little did I know when I wrote it that such a scandal -- the sort of scandal which would definitively wreck any politician who came before him -- would be a mere footnote on Trump's way to claiming the presidency, regardless of how many wives and daughters were invoked.
Little, also, did I know that what would transpire since the election would validate a warning I first heard 26 years ago, which explains both that which troubled me a year ago and that which is transpiring today.
Back at Ohio State, in the early 1990s, I had a history professor named Alan Beyerchen. I wasn't a history major -- ours was merely an intro to western civ class and most of the curriculum was outside of Professor Beyerchen's specific area of research -- but he was more engaging and enthusiastic about teaching freshmen and sophomores than most professors I ever had. He'd often digress from the day's lecture to talk about larger cosmic issues. One he hit on, time and again, was about how history is animated by its actors defining their personal identity in opposition to that of their enemies (people proclaiming that which is "self" vs. that which is "other" explains oh so much over the centuries). Another one of the big cosmic issues he talked about was how, in his view, we seemed to be on the verge of entering a "high tech dark age."
Beyerchen seemed focused on what he felt as the then-primordial information age's attack on literacy and personal agency. He worried about us moving away from writing and books -- he was particularly upset at how poor his students' writing skills were, mine included -- and suggested that computers and the ability to edit without a lot of hassle was partially responsible. He talked about the prospect of virtual communities supplanting real communities, the ethical hazards of technological advances (which then, as now, were so often promised to be benign) and what all of that might mean for an enlightened civil society. He wasn't necessarily alone in these preoccupations, of course. A lot of people were worried about that stuff then, albeit on a much more superficial level than Beyerchen was. Just look at the science fiction of the mid-90s and all of its virtual reality and Internet panic as evidence.
It went deeper than that for Beyerchen, though. He wasn't some guy merely grousing about technology and all of its alleged perils. For him the most serious risk of the coming high tech dark age was an epistemic crisis. A crisis in which, due to the waning influence of institutions that characterized enlightened society such as libraries, universities and governmental bodies run by and for a literate, educated and engaged populace, simply agreeing on what truth and knowledge and information is would be a challenge. If knowledge was less etched in stone than transferred via ephemeral means, would it not risk becoming intangible? Mutable? And if it did, what value would it truly hold for people?
Once you're in that situation -- a situation in which people find it simple and even preferable to disagree on basic facts -- truth itself is a malleable concept. Once human beings aren't sure what is true, they tend to revert to superstition and fear. Once you have a population of fearful, superstitious people who don't know what is true, those in power are able to warp reality even more and are able to exert control over them more easily than they already do. If the people are afraid enough, they'll be quite happy to allow it.
That, for all practical purposes, is the definition of a dark age. It's a dark age even if we have a lot of shiny technology and even if we've eradicated the plague.
This afternoon I read something which makes me believe that the epistemic crisis which would usher in a new dark age is already upon us. It's from David Roberts at Vox, and it describes the way in which the right wing political and media establishment has rendered facts malleable and increasingly meaningless:
Roberts' concern: that Robert Mueller's investigation will prove a case of Donald Trump's participation in an illegal conspiracy to subvert our political system and that no one will do a thing about it. That the Republicans in charge of the legislative branch will shirk their responsibilities to check the executive because they fear political reprisals from a base that is intoxicated with a cocktail of misinformation and anger, served by the right wing media establishment.
It sounds right. It's not driven solely by technology, the way my old professor worried it might be, even if it's driven by it a good deal. Mostly it's driven by a craving for power and an utter lack of scruples or shame. Any way you slice it, it sounds like the stuff of a new dark age.
The drive between New Albany and Granville, Ohio used to take you down a two-lane country road, but traffic eventually got heavy enough to where they needed to make it a freeway. They did that about six or seven years ago. As far as freeways go it's fine. It cuts through the country and, though it'll likely change the area sometime in the near future, there hasn't been too much in the way of development along the route just yet. It's still a nice country drive. The barn where my wife keeps her horse is out that way so we're on that freeway a lot.
There is one thing on the road that sticks out, though:
This house sits just east of the exit for Route 310, right up against the freeway. It's looked like that since about the time the freeway went through. "O.D.O.T.," stands for Ohio Department of Transportation.
I've always assumed it had to do with some dispute arising out of the condemnation of property to build the freeway, but I've wondered what the specific story was for years. Today I did a little searching and found this, written by a man who says that he spoke to the owner a few years back:
The owner's side of the story was that ODOT used eminent domain compelling him to sell the portion of the property they needed for the freeway, but that they refused to purchase the entire property, including the part on which the house sat. His problem, though, wasn't that he was stuck with a house right next to a freeway. That would be bad enough, but at least understandable. Rather his problem was that the portion of the property they compelled him to sell included the leach field for the house's septic system and the remaining parcel that the house sat on was too small to install a new leach field that would meet local code. So he wasn't just left with a house next to a freeway, he was left with an uninhabitable house next to a freeway.
It's been a while since I practiced law, but the foggy parts of my memory related to these kinds of cases suggest that there is likely a bit more to this story. Local juries determine land value when there is dispute, and they almost always tend to overpay landowners who challenge state valuation in condemnation cases. In light of that, the state usually comes in with high offers to begin with. Maybe he was screwed on the parcel with the house, but I suspect he came out fine overall after they bought the parcel they needed for the freeway. There's plenty of injustice in this country, but rural landowners tend to do OK financially speaking when the bulldozers come to plow places like Licking County into the 21st century, even if they are inconvenienced or displaced.
Regardless of the specifics, I've always been struck by the "O.D.O.T. Sucks" house. While I suppose most people who see it think of it as nothing but an eyesore, I'm amused by it. Both at its existence and by the fact that it's lasted in the state it's in for so long.
Some quick searching shows that the deed was redone in 2007, with the current owner conveying the house to himself, likely in connection with whatever it was ODOT did with respect to their other land. For tax purposes, the house is only worth $800, with annual taxes on it running around $13, which the owner has faithfully paid. While the house is uninhabited, a quick search of property records shows that the owner of the house lives in similar but slightly larger home two miles away. It's neat, tidy and inviting. It's also close enough to the old house that it's no inconvenience at all for him to go put a fresh coat of paint on his "O.D.O.T. Sucks" sign whenever necessary. Which he clearly has, by the way. The house faces south and the sun would've bleached those orange letters pretty badly by now if he had let it be. Today, however, they're as vibrant as the day they first went up. My wife took that photo when we drove past yesterday afternoon.
I wonder who will blink first. The owner could, if he wanted to, simply abandon the basically worthless property. If O.D.O.T. grows weary of the sign, it could restart negotiations with the owner to see how much it would take to get him to either give up the land or, at the very least, bulldoze the house or cover the sign. The county could maybe get involved too, perhaps creatively reassessing the value of the property -- it's right next to an exit, so might it be rezoned for a gas station? -- raising the owner's tax rates to the point where he's no longer able to cheaply maintain his sign. Given that an influential new neighbor is moving in just a couple of miles up the freeway soon, maybe someone else will come to the table too.
In the meantime, I'll continue to drive by the "O.D.O.T. Sucks" house a few times a week, acknowledging that, yes, it's an eyesore, but smiling that it's still there. Not because I take the landowner's side, necessarily. I don't know him and I don't know the specifics of his beef. No, I smile because we live in a world where powerful forces always seem to win, conformity always seems to reign and anything old, small, unique or just plain weird seems to get plowed over, literally or figuratively.
The fact that someone on the wrong end of the plow's blade has basically held his middle finger up like this for close to a decade gives me hope that the powerful forces' victory, even if inevitable, won't always be easy.
This morning the President of the United States, in response to an accurate news report that made him look bad, threatened the license of a national broadcast network:
It happens to be the broadcast network that employs me. I'd hope, however, that such a thing angers people who don't work for NBC. I mean, I get that he's mad, but the most powerful member of the United States government threatening the media because it criticized him is, if not the most un-American thing ever, certainly in the top-10.
I'm pretty sure if Obama had said this about Fox News in 2010 there would be talk of impeaching him. Short of that, it'd dominate the news cycle for several weeks and be cited in the rants of conservatives for years and years. Now, I presume, we'll just chalk it up to "Trump being Trump" and stagger on to the next unnecessary crisis he creates or legitimate crisis he neglects.
In the meantime, Trump can take my NBC WordPress login from my cold dead hands. Or whatever it is people say in such situations. Sorry, I'm new to this "living under a petulant dictator" thing. We all are.
Last night at dinner, my kids -- who are always online and always see everything -- mentioned President Trump's irresponsible threats of nuclear war. They're bright kids who, I suspect, are about as well-informed as any other 12 and 13 year-olds, so they know the general outline.
I remember being pretty freaked out at the brinksmanship of the Cold War and, of course, "The Day After" scared the living bejesus out of me when I was around their age. So, despite their relative savviness and maturity, I was nonetheless cautious about how I talked about it, not wanting to upset them.
Then my son said, "I wonder what the last meme will be before the world blows up?" and he and my daughter began laughing their heads off about it. When I woke up this morning I saw that my daughter had sent me this, answering her brother's question.
If the planet does survive long enough for my kids to reach adulthood, it will be powered with disaffected irony. Not great, but I suppose there are worse things.
I first came across Scott McClanahan's work in his 2013 "non-fiction lite" book, "Crapalachia." McClanahan's writing -- at turns immediate, clear, funny, affecting, raw and, above all else, alive -- grabbed me and would not let go. His novel "Hill William" followed in the same year, building on "Crappalachia," doing everything it did well, but raising the emotional and dramatic stakes. Within the space of months I had a new favorite writer.
It wasn't just McClanahan's prose that grabbed me. I was drawn to him because he was writing about a place I knew well, southern West Virginia, where he was born and raised and still lives. I grew up in Beckley and I still consider it home, even if I haven't lived there for a long time. West Virginia was a character in these stories, every bit as alive as the people who inhabit them, and as such these books felt something like home to me.
All of which made me worry when, soon after I read "Crappalachia" and "Hill William," I learned that McClanahan was writing a book about the end of his first marriage.
When I read his last two books I was still recovering from my own divorce. Like McClanahan and his first wife, my ex and I were both from Beckley. It's a small place and there were bound to be parallels in our respective stories. When I heard about his divorce book I was going through a period in which, no matter how well I was doing for long stretches, I could still be derailed fairly easily by a triggering memory or suggestion. Three or four years ago a book on this subject, set in that place, by a writer with McClanhan's gifts, seemed like more than I'd ever be able to handle. In fact, a small, selfish part of me even hoped it would never see the light of day and that McClanahan would move on to another project.
The last couple of years have been much better to me. I finally sloughed off the last bits of baggage from my divorce and, rather than get bogged down by old memories, I learned how all of it -- the good and the bad -- fit in the context of my life. I learned how to enjoy and appreciate what my life is rather than worry about what it is not or what it could've been if things had gone differently. Most importantly I got married again to a wonderful woman who did more than anyone to help me through it all. My life is pretty fantastic now. A book about a big messy divorce set in the hills of West Virginia isn't going to destroy me like it might've a few years ago.
McClanahan's "The Sarah Book," was published earlier this month after a long gestation. I'll never know how I would've received it in 2013 or 2014, but I couldn't be happier to have it now. It's a fantastic book, as raw and immediate as his previous work -- I devoured it in two sittings which could've easily been one -- but it possesses a greater emotional depth than anything he's written before. McClanahan has been described by some as an enfant terrible of independent publishing, but "The Sarah Book" is a work of a man maturing and growing. A book that could only be written by someone who has seen some shit, lived through it and learned something from it all.
Which is not to say that this is a happy and pat story in any way. The (I suspect only slightly) fictionalized story of McClanahan's divorce is not at all comforting. It's, above all else, about loss. And death. Not merely the formal loss of a lover through legal process or the figurative death of love or a marriage but about actual loss and literal death and about how all of the stories we tell ourselves and all of the parts we play in this life -- as husband and wife, among other things -- are, ultimately, meaningless. Indeed, he begins the book with this notion, giving the reader no illusions in its opening passage that it's about anything else:
"There is only one thing I know about life. If you live long enough you start losing things. Things get stolen from you: First you lose your youth, and then your parents, and then you lose your friends, and finally you end up losing yourself."
Sarah is a nurse and McClanahan constantly returns to the stories she'd tell him about patients who'd come through Beckley's ARH hospital where she works. Dead or dying people whose lives, for the most part, do not adhere to the conventional life and death narratives we're used to hearing in polite fiction. Scott and Sarah have an elderly dog who dies, and his death is not pretty or poetic either. Any effort Scott and Sarah make to impose some sort of sense on the end of their marriage backfires as well. Scott thinks for a time that the marriage can be salvaged, not because there is anything inherently salvageable in it, but because, dammit, that's how the story was supposed to go and how dare Sarah fuck with the ending? But as "The Sarah Book" goes on, McClanahan impresses upon the reader that, no, that's not how things go. Everything dies eventually. People. Dogs. Marriages. No matter what your plans for them happened to be.
Despite it all, though, it's not a sad book. At least it wasn't to me, because McClanahan shows us that, even if death is inevitable and entropy is undefeated, there are moments of grace to be found in life. Or, at the very least, moments when we can sit and appreciate that life is less of a drama than it is a brief period when we all just try to do the best we can and, sometimes, actually manage it.
Sarah can find humor -- and does, often -- even when life is bringing her to tears. Their children can find happiness being held upside down by their grandfather, even when their dad is falling apart. Scott and his friend Chris can find moments of joy even when both of them are at their worst. The elderly dog can experience one last good healthy piss on the way to the vet's office before his undignified end. Scott and Sarah can each find love again, with other people, even when it seemed like their divorce was the end of the world.
The final scene of the book features Scott and his new wife sitting down for burgers and fries with Sarah and her new husband with Scott and Sarah's kids in tow. After all of the drama of the previous 200 pages, life is all about slightly awkward conversation, french fries, ketchup on a mother's fingers and a three-year-old boy looking up at the sky at airplanes. Is it anticlimax or is it a clear-eyed realization that, no matter what goes on inside our heads and our hearts life, in all of its quotidian detail, goes on? I suppose one can take it any number of ways. But having lived through much of what McClanahan did in "The Sarah Book," I was happy to see it. Drama and pain can only sustain a person for so long and, since death and loss is inevitable, it's better to push that stuff aside as best one can and do as much living in the short time we have as possible.
"The Sarah Book" does a masterful job of chronicling the pain and drama of a divorce, but there is hope in it as well. We need to endure the former but acknowledge the latter, even when it seems impossible. Thankfully, we have someone as talented and insightful as Scott McClanahan as our guide.
The past 36 hours have been interesting. A tweet and then a post I wrote about patriotism and flag-waving at sporting events went viral. And not in a good way.
This post over at NBC contains and explains my original tweet and otherwise speaks for itself, but certain elements of the conservative media decided to mischaracterize my comments as anti-American, anti-flag and anti-military. With the help of a few strategically-placed firehoses, my social media accounts have been flooded by thousands upon thousands doing the same. I've received multiple legitimate, specific death threats. People have told me that they hope I get cancer and that my loved ones die in accidents. The less odious among the mob merely wished that I'd leave the country never to return. I respectfully declined.
I'm a big boy and I -- and law enforcement, who I have contacted about the threats-- can handle that stuff. But I will not stand by and allow myself to be slandered in this fashion.
I come from a family which has served in foreign wars for the past three generations. My brother is a veteran of the first Gulf War who suffers from a disability and relies on V.A. benefits for his healthcare. My father served on board the U.S.S. Okinawa during the Cuban Missile Crisis. My maternal grandfather served in the U.S. Navy during World War II and my paternal grandfather was a tank sergeant under General Patton during the liberation of Western Europe. In light of that, to suggest, for one moment, that I do not respect the service of our soldiers, sailors, airmen and Marines is an insult and a lie. A knowing one for those who have read this.
I likewise consider myself a patriot and a proud American. One who understands that America is exceptional, not only in the freedoms and opportunity it provides, but for the dissent, protest and critique it allows. Just as an athlete must endure training to excel in competition and a writer must undergo editing and critique to improve, our country is stronger thanks in part to the efforts of those who have found fault with it at times and have worked to make it a better place. Our Constitution begins with a reference to a "more perfect union," anticipating that the work of the American Experiment is never done and establishing that any claims to American perfection are specious.
I have criticized and will always criticize that which I see from our government and in our society with which I take issue. I view that as part of my duty as an American. People don't often care for such criticism, obviously, and when one criticizes the country, the government or society, there will always be blowback. Like I said, though, I'm a big boy and I can take it.
I will not, however, sit idly by and allow people to mischaracterize that which I have said, that which I have written and that which I stand for. And I will certainly not allow them to lie about it.
I became a full time writer in November 2009. According to WordPress, I've written 23,509 posts for NBC. I don't know what the word count average is, but even if you estimate on the low side that's somewhere between five million and ten million words. That's the same amount of words as, like, 120 novels. They'd be really bad novels, of course, but writing 17 novels a year is a lot of writing, even if it's bad.
In addition to that, I've written all of this personal stuff. Five hundred words there, a thousand words there. A few projects of 5,000 or 11,000 words. I've written over 132,000 tweets since 2009 as well. I post on Facebook. I live on my laptop.
As such, it was probably just a matter of time before I got carpal tunnel syndrome. I was diagnosed with it on Tuesday. They gave me this brace and some stretching exercises to do.
The weird part: it only really hurts when I stretch my arm out at full length to reach for things. It doesn't hurt at all to have my hands on the keyboard typing. Indeed, that feels just like normal.
Which means that, nah, I probably ain't gonna get better. Here's to 120 more bad novels.
The New York Times published a story about how fathers in a New Jersey suburb actually had to take care of their children on Saturday as their wives went to Washington for the Women's March:
If this had been a weekday, the absence of women would most visibly have affected the commuter trains, workplaces and schools. On a Saturday, however, there were other matters to navigate: children’s birthday parties, dance performances, swimming lessons, and lacrosse and indoor soccer practices. Growling stomachs required filling on a regular basis.
In other news, the author of this story is Filip Bondy, who used to be a sports writer for the New York Daily News. He once wrote a column angrily criticizing Yankees manager Joe Girardi for not using Jorge Posada to catch the ninth inning in the game where Mariano Rivera broke the record for career saves.
Posada had already been used in the sixth inning of that game to pinch hit and was unavailable, but that didn't stop Bondy. He's THAT dedicated to the journalism that matters.
Today is the seventh anniversary of my being a full-time baseball writer. When NBC hired me I had been practicing law for 11 years, always in downtown offices. Since November 30, 2009, however, I have worked from home. If you’re curious, I wrote about how that all happened a few years ago.
As far as jobs go it’s wonderful. NBC has been nothing but fantastic to me over the years and the notion that I get paid to watch and talk about baseball all day has not lost its obvious appeal. Most old sayings are bunk, but I’ve been lucky enough to be able to live the one about how, if you choose a job you love, you will never have to work a day in your life.
But it is still a job. It’s easy to forget that sometimes, but it is. And, if anything, the fact that baseball writing is comprised of my favorite pastimes (i.e. baseball and writing) presents no small amount of danger. How do you keep a work-life balance when your work consists of your favorite activities?
On November 18, 1991, I was a little over two months into my freshman year of college and I wasn’t having a great time of it. School itself was going OK, but I was not fitting in at all with my obnoxious roommates. I missed my girlfriend, who was back home. I was also, generally speaking, feeling down and blue and gloomy. I didn’t realize it at the time and wouldn’t for years, but I was going through a depressive episode, the likes of which I’ve experienced on and off since I was 16. It was just a bad time all around.
An album helped lift my spirits.
My son’s sixth grade social studies class is doing a thing in which kids come up with their own unique culture. Or a pretend nation or something. The idea is for them to create their own customs and folkways and stuff like that. As a bit of extra credit, the kids can bring in an “indigenous” food dish unique to their land. My son decided that in his country – the nation of Big Top, which is an island in the North Atlantic where citizens’ lives revolve around circuses an roller coasters – the local specialty is macaroni and cheese. So he asked me to make macaroni and cheese.
I baked it last night. It was the Martha Stewart mac and cheese, by the way, because the Elders of Big Top don’t friggin’ play. This afternoon I heated it back up in the casserole dish in the oven and then spooned it into little foil cups in muffin tins so each of the 28 kids in the class could have their own portion. I kept that warm until it was time to take them to school.
When I got to the school the two women in the office audibly gasped. “Oh, my, you baked?!” one said in genuine surprise. “We had a dad bake something and bring it in last spring,” the other said, recalling it as one can only recall something truly notable. “That wasn’t you, was it? I think maybe it was you?” It wasn’t me, but I smiled and then took the mac and cheese to my son’s classroom when they buzzed me through.
The mac and cheese was a hit. Every kid in the class had some. It was gone in seconds. As they finished it, several of the kids said how much they liked it, telling Carlo things like “your dad is a good cook!” That obviously made me happy. Several others, however, added words describing how shocking and surprising it was that a dad, and not a mom, did the cooking and brought stuff in to school like that.
It’s amazing how low the bar is for dads. It’s so low that office staff who probably see a few dozen parents a day are legitimately tickled pink that a dad cooked something for a school project. Yet, despite it being so low, so few dads jump over it, apparently, as their shock and the shock of the children in my son’s class make plain.
I realize that working from home gives me an advantage a lot of dads don’t have. I can take some time out of my day and swing by the kids’ school for stuff like that. And, as a divorced dad, I obviously do the cooking at my house. But I would nonetheless hope that a few more dads did stuff like this so as to render it at least a tad less shocking. Especially in an affluent ‘burb like New Albany, where most dads aren’t punching a clock or holding down multiple jobs.
Step it up, guys, will ya?
I sort of owe my career to Andrew Sullivan. Not in any direct way. He doesn’t know who I am and never did anything to help me get a job. But he and other web-based political writers who flourished in the early 2000s provided a model for me.
The model was basically:
I wrote a web column covering national topics in 2002 and 2003 and didn’t think of it as a blog, but looking back at those old bits, they were basically blog posts. After a hiatus I began again in 2007. While there were several baseball bloggers around then, they were mostly team-specific or didn’t post as frequently as I did. While I respected their work and still do, I didn’t really emulate any of them. No, by 2007 I was consciously aping the political blogging style, only about baseball.
I modeled myself particularly closely on Andrew Sullivan. While I did and still do disagree with him politically on a whole host of issues, there was a lot about his style that appealed to me. He wrote in the first person a lot and did not hide the fact that he was a human being with his own interests. While he was and still is accused of completely reversing course on various topics, he didn’t really care, noting that changing one’s mind upon encountering new information or simply reconsidering old topics was a sign of intellectual strength, not weakness. He was, with some rather notable exceptions, more self-aware than a lot of his peers and knew that some of his readers wouldn’t care about whatever hobby horse he was riding at any given moment yet still kept riding them anyway.
A lot can be written about some of the awful arguments and positions Sullivan has taken over the years, but his approach as a blogger always appealed to me. Emulating it in a baseball context set me apart from my peers. I wrote more, wrote more quickly, more frequently and covered a wider array of topics than most people in the baseball blogosphere. To the extent I was able to leverage two years of independent blogging into a larger platform at The Hardball Times and then, later, at NBC, it wasn’t because I had a ton of friends in the industry or because I networked. It was based almost exclusively on being that weird lawyer baseball dude who updates constantly and talks about everything. It was because I was the baseball Andrew Sullivan. I owe a lot to him, even if he doesn’t know it.
Though I stopped reading Sullivan on a regular basis several years ago, I was sad to see that he quit blogging in 2015. And I am sadder still to see what he wrote today in New York Magazine:
I Used to Be a Human Being
In the article, Sullivan talks about how he burnt out on blogging and all of the online reading, reacting, arguing and writing it requires. About how posting every 20 minutes and obsessing over every twist and turn in a news story, often before anyone even knew what the story was, caused him to crash. His personal health was a factor as well – he suffered from multiple respiratory infections – but his “living-in-the-web” lifestyle, to use Sullivan’s term, was his real problem. He says it took a massive toll on his health, his personal relationships, his intellectual capacity, his writing skills and style and maybe even his sanity. This is, quite obviously, not ideal, and I’m glad that the internet detox on which he has embarked and the meditation regime and sabbaticals and everything else he has done has been good for him. Real life matters far more than four paragraphs of thoughts hastily posted to WordPress.
Of course, it would not be an Andrew Sullivan article if it didn’t include some broad overstatement, generalization and projection of his own feeling and experience onto the rest of us (an occupational hazard of all bloggers, but one which dogged Sullivan more than many). And here it is: too much technology and time online was not just something that harmed him, he says. It’s the scourge of the entirety of 21st century civilization:
Just look around you — at the people crouched over their phones as they walk the streets, or drive their cars, or walk their dogs, or play with their children. Observe yourself in line for coffee, or in a quick work break, or driving, or even just going to the bathroom. Visit an airport and see the sea of craned necks and dead eyes … this new epidemic of distraction is our civilization’s specific weakness. And its threat is not so much to our minds, even as they shape-shift under the pressure. The threat is to our souls. At this rate, if the noise does not relent, we might even forget we have any.
With all due respect to the man on whom I’ve modeled my career: this is fucking bonkers.
I will grant that the manner and to degree to which technology has changed our lives in a very short period of time is, frankly, staggering. I’ll grant that all of us could use more time unplugged and offline and away from screens than we spend.
I’ll likewise grant that people in Sullivan’s line of work are particularly susceptible to being crushed in the manner which he describes. I never was nor have I ever been quite as immersed in the “living-in-the-web” lifestyle as Sullivan was, but doing what I do for a living, as obsessively as I do it, from home, usually alone, I am likely on the far right portion of the, ahem, Bell Curve, when it comes to full Internet immersion. I have over indulged at times. I have had loved ones tell me, hey, you need to unplug, get off of Twitter and close the laptop for a bit. It happens to most of us, especially if we work online.
But Sullivan’s article reads like a harangue from a recently sober alcoholic, convinced that everyone else is destined to fall victim to demon drink simply because he did. It’s calm and measured tone just barely hides what’s really being revealed here: a man with poor work-life balance skills blaming technology for what befell him as opposed to his own inability to unplug and pace himself
Sullivan talks about how he posted seven days a week, every twenty minutes. I remember when he did it and it was insane. I used to do something close to it. It was five days a week for me and it was every thirty minutes – with my blogging partners chiming in once or twice an hour to give us close to the same frequency of Sullivan’s blog – but it was pretty similar. It was also entirely unsustainable, both in terms of content – there really isn’t enough good stuff to write about 40 times a day – but more importantly in terms of the writer’s stamina.
Eventually, I ratcheted back a bit. Instead of writing 20 things a day I wrote 12-15. Many days now I don’t write even that much. Partially because blogging has changed a bit over the years and partially because I have people who work for me whom I trust to handle nights and weekends and those times when I have life to live and errands to run. Mostly, though, because I realized a few years ago that there was no way I could continue that pace into my 40s while still being a sharp thinker, a present father and an all around healthy person. I still write more than most people in my field, but I write way less than I did a few years back. Both I and my writing are better for it and my readers have not complained about it.
I’ll grant that baseball is not as important as politics, but Andrew Sullivan’s blog was not defending us from invading hordes or keeping Democracy alive single-handedly. No matter how important the underlying subject matter, no one was ever going to save the world with a blog post. At the very least the world would have survived for a few short hours if Sullivan had taken his husband out to a nice diner during the Green Revolution or if he had unplugged one night and read a good book in 2008 rather than writing yet another post about Sarah Palin’s baby.
Ultimately, reading and writing about crap on the internet is a job. It can be an extraordinarily immersive job. One that, if you’re not careful, can cause you to lose yourself. But still a job. If Sullivan wasn’t killing himself with this job, I strongly suspect he would’ve been killing himself with another one. I suspect he’s just wired that way.
One final point: Sullivan’s article is illustrated with famous paintings, photoshopped to show their subjects using cell phones, such as Edward Hopper’s “Hotel Room,” at the top of this post. It’s cute, and you can see what he and his editors are getting at with the little joke. But it also proves too much.
Most of Hopper’s best works portrayed subjects who were isolated and lonely and detached. Amazingly, something besides the Internet was to blame.
My dad, born in 1943, is supposedly a member of the “Silent Generation,” which means that he liked Bob Dylan, but only as long as he played protest songs and liked protests only as long as the protesters had short hair and got a damn job.
My mom, born in 1948 is a Baby Boomer and pretty much fits the stereotypical bill. She wore stuff with shoulder pads in it in the 80s and watched “M*A*S*H.” Not all Baby Boomers were at Woodstock, you know.
I date to 1973, which means I spent most of my 20s and 30s overly-preoccupied with “authenticity” without ever bothering to ask why, setting back my emotional development a good ten years. I also have strong feelings for Winona Ryder and never felt older than when she showed up as the half-crazy mom of a high school kid in “Stranger Things.”
My fiancee was born in 1980 and, according to most sources, that makes her a Millennial, but she bristles at that label. I can see both sides. In some ways she has more Gen-X qualities, separate and apart from liking a tired old Gen-X guy like me, than Millennial qualities. On the other hand, she is constantly explaining to me how technology works and unironically likes things simply because they bring her joy and that’s TOTALLY not a Gen-X thing.
In other news, generations are somewhat amorphous and difficult to peg.
I’m doing some research in old Detroit newspapers. This ad from April 1911 shows you that the Tigers used to have WAY better sponsors.
Bruce Springsteen has an autobiography coming out. In a recent interview, he talked about how he reconciles his blue collar, Jersey shore past and the hundreds of songs he has written about all of that with the privileged life those songs and his wealth have allowed him to live for half of his life:
“Whoever you’ve been and wherever you’ve been, it never leaves you. I always picture it as a car. All your selves are in it. And a new self can get in, but the old selves can’t ever get out. The important thing is, who’s got their hands on the wheel at any given moment?”
That’s a pretty amazing and profound insight. A simple one, simply put, that somehow eludes almost all of us when it comes to considering who we are as people compared to who we used to be, in fear of who we may become.
That Springsteen may yet make something of himself. He’s a pretty good writer.
At the prompting of a couple of friends, I recently read J.D. Vance’s memoir, “Hillbilly Elegy.”
It was a major mistake. Don't believe Vance's hype and don't believe for a second that you need to read this book to gain some deeper understanding of "real Americans." It's a simultaneous exercise in (a) shaming the working class as shiftless and lazy; (b) ignoring why their plight today is what it is; while (c) ignoring why, exactly, they resent so-called "cultural elites."
There’s a hashtag thing going around Twitter now – #fav7films – via which people list their favorite seven movies. Here’s my brief list. I’d say three of the slots are subject to change at given time, but this is the list now:
1. The Conversation: It’s held at number one for a long time now. It’s a nearly perfect slow burn/psychological thriller on its merits, but as someone who often catches himself observing the world more than actually living in it, it resonates with me a bit more than most movies do.
2. Zero Effect: I like it for some of the same reasons I like “The Conversation,” though it’s obviously goofier. But it’s nowhere near as goofy as it seems on first look. There are some deceptively deep psychological waters being explored here and Bill Pullman, Kim Dickens and Ben Stiller all hit the perfect notes as they explore theirs.
3. Casablanca: It’s not all psychological crap for me. Sometimes you just gotta be entertained by some perfect old Hollywood romance, drama and humor. This may be the most perfect blending of all three in cinematic history.
4. Miller’s Crossing: It may not be the “best” Coen Brothers movie – “Fargo” is probably a better movie all things considered – but I’m a sucker for their more affected works for some reason and this one, while crazily affected, is just a joy to watch and quote over and over again. I like to think of Tom Regan as The Big Lebowski’s grandfather.
5. Chinatown: As a general rule, I like my heroes to only have half a handle of what’s going on until the very end, even while fighting like crazy to come out on top. And even once they get a handle on it and the plot resolves itself, I like them to still be perplexed by everything that happened and unsure what will happen next. Life is sort of like that. Forget the less-than-memorable sequel. I prefer to think that Jake Gittes was a profoundly changed man after what went down in this movie. It’s one of the rare pieces of hard boiled detective fiction where the detective takes the journey and doesn’t keep his cool detachment, even if it’s subtle here.
6. Dark City: I could make separate top-7 lists for detective movies, psychological thrillers and sci-fi. But all three of them landing in one movie like this makes this a great proxy for it.
7. Eternal Sunshine of the Spotless Mind: This is an odd one, I realize, and on purely cinematic terms it’s no masterpiece. It’s a very personal choice for me, however, and I have it here out of respect for what it means for me more than for what it is. I’ve written about it before, but this movie hit me at a perfectly imperfect time in my life when the decision between trying to deal with bad experiences vs. trying to utterly deny and obliterate them from one’s memory was more than just a theoretical one for me. It’s still something I struggle with.
Anyway, sorry to anyone who was expecting to see “The Godfather,” “Citizen Kane” and “Goodfellas.” They’re all good too, though.
Some people take vacations to see the sights. This week my fiancee Allison and I saw some sights during our four-day trip to New York but the most important part was the food.
Allison was diagnosed with Celiac disease a couple of years ago. Living gluten free is doable but it certainly limits one’s options when dining out. And even the places that do have options – and there are more and more each day, thankfully – tend to ghettoize them in tiny, specialized menus which are often stashed away someplace in the host’s stand. “They’re in here someplace,” they’ll say, as they rifle through the children’s menus, the happy hour inserts, the cab vouchers and all of the other items most restaurants are happy to provide but which aren’t used quite as often and, unfortunately, aren’t always afforded the same level of respect.
That can be a little annoying, but at least they’re trying and, increasingly, succeeding in accommodating those with Celiac. Lots of people, unfortunately, including even some people in the bar and restaurant business, continue to be downright hostile to folks with Celiac, acting as if they chose their disease out of a desire to be trendy as opposed to suffering from an autoimmune disorder.
In light of all of that, our time dining in New York was fantastic. It’s a city with an embarrassment of culinary riches as it is, so it’s no surprise that when it comes to gluten free dining our options were abundant, the experience was inclusive and welcoming, the food was delicious and, at times, bordered on the transcendent.
Thanks, New York for having so many options. Thanks Don Antonio, Colors, Senza Gluten, Egg Shop, By The Way Bakery, Taquetoria, Friedman’s and Le Bernardin for having such fantastic food. And thanks to all of the other places we couldn’t make it to but will the next time.